Friday, April 29, 2011
Thursday, April 28, 2011
Toast Coetzer On Die Plesier Parade
"Right now my favourite South African album is Die Plesier Parade's Vonkvioole & Wasem. It's not afraid. It's about religion, depression and darkness -- a kind of forced expression of life's hardest puzzles. It breaks your head in two. It makes you think. Not everything works, but when it does, the soundscapes created take you on a tour of troubled-mind country. The closer, 15-minute-long Daar Is Net Een is spectacular -- a creepy, whispered nightmare in equal parts melancholic and frightening. When the CD player stops, you will be silent. Maritz van den Berg is the man behind it -- all the lyrics are his and sometimes the vocals too. But he rustles up a small army of other voices and musicians to help craft Die Plesier Parade's albums (the self-titled debut is possibly even better than Vonkvioole & Wasem)."
First published in the Mail&Guardian.
First published in the Mail&Guardian.
Wednesday, April 27, 2011
Tuesday, April 26, 2011
Victoria Williams: 0100
I said, ‘Our love is one in a hundred.’ He said, ‘A hundred! This does not speak well of your character.’ Then he lit his pipe and stroked his beard just like in the movies. He was 22 years old. Later, in the summer, when I was also 22, I’d gotten used to sitting up by the lamplight waiting for him, sometimes until the moths had settled in my hair. The first sign of him would be the silhouette of his pitchfork passing by the window. Of course by this time our love was one in a hundred and three.
Sunday, April 24, 2011
Friday, April 22, 2011
Thursday, April 21, 2011
Wednesday, April 20, 2011
Tuesday, April 19, 2011
Friday, April 15, 2011
Thursday, April 14, 2011
Wednesday, April 13, 2011
Tuesday, April 12, 2011
Victoria Williams: 0098
Love Letters: My Darling, let us not allow the Rimbaud/Rambo argument to overshadow our entire honeymoon.
Sunday, April 10, 2011
Friday, April 8, 2011
Thursday, April 7, 2011
Wednesday, April 6, 2011
Tuesday, April 5, 2011
Sunday, April 3, 2011
Scruffy
For his tenth birthday, John Coetzee's grandfather, a senile CERN physicist, FedExed him a black hole. John's parents, who were both employed as logicians at the University of Durban's Philosophy Department, were, naturally, concerned that this shirt-button-sized hole - which their son had christened Scruffy - would grow
larger and, eventually, suck up the city of Durban. They pleaded with John to send it back to his grandfather or, at very least, donate it to the Durban Museum of Modern Art, whose most recent exhibition the Coetzees had declared to be "the beginning of the end." The ten-year old, accustomed to robust and extremely rational dinner conversation, put his foot down: "It's utterly irrational to ask me to return nothingness.” Suitably chastised, John's parents allowed him to keep Scruffy. Two days later, Detective Xolani Hlongwe, standing above the void where Durban had once stood, coughed, tossed his cigarette into the abyss, then turned to his colleague, Detective Craig Naidoo, and opined: "This is why logicians shouldn't have children."
larger and, eventually, suck up the city of Durban. They pleaded with John to send it back to his grandfather or, at very least, donate it to the Durban Museum of Modern Art, whose most recent exhibition the Coetzees had declared to be "the beginning of the end." The ten-year old, accustomed to robust and extremely rational dinner conversation, put his foot down: "It's utterly irrational to ask me to return nothingness.” Suitably chastised, John's parents allowed him to keep Scruffy. Two days later, Detective Xolani Hlongwe, standing above the void where Durban had once stood, coughed, tossed his cigarette into the abyss, then turned to his colleague, Detective Craig Naidoo, and opined: "This is why logicians shouldn't have children."
Friday, April 1, 2011
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