Sunday, March 25, 2018
New Publication From Dye Hard Press: Chatsworth by Pravasan Pillay
Chatsworth is Pravasan Pillay's debut short fiction collection and consists of eleven stories set in the sprawling township of Chatsworth, Durban. The stories are populated mostly by working-class characters who all, in one way or the other, find themselves on the margins of their community. There is an elderly mother and her dependent obese daughter who must fend for themselves; an angst-filled twelve-year-old girl who secretly chain smokes late at night; a tearful man who is incapable of passing his driving test; an albino girl who attains a fragile popularity in high school; a young woman who – against her father's wishes – falls in love with an immigrant; a seemingly placid pensioner who hides a shockingly violent side; and a pair of girls who bond over a love letter and hair bleach, among others.
The stories present sensitive yet unsentimental portraits of these characters, in prose that is spare and unadorned. Pillay additionally displays a remarkable ear for dialogue, and faithfully captures much of the nuance of Durban-Indian English.
Chatsworth is a gentle and moving book about growing up, being different, but also about failing at adulthood.
140 pages.
ISBN: 978-0-9869982-5-6.
Pravasan Pillay is a South African writer. He has published two chapbooks of poetry, Glumlazi (2009) and 30 Poems (2015), as well as a collection of co-written comedic short stories, Shaggy (2013). He is also the editor of the micro-press Tearoom Books.
Chatsworth is available directly from the publisher for R160, including postage. For overseas orders, the cost is R220 including postage.
Email dyehardpress@iafrica.com to order.
Sunday, March 11, 2018
To See This Story Better, Close Your Eyes
Reid Gallery
17 February - 7 March 2018
Preview: Friday, 16 February, 5-7pm
Curated by Chloë Reid
An exhibition of film and writing by Thabo Jijana, Jemma Kahn, Kiluanji Kia Henda, Rosa Lyster, Mitchell Gilbert Messina, Njabulo Ndebele, Sean O'Toole, Pravasan Pillay, Chad Rossouw, Penny Siopis, Helen Sullivan and Marianne Thesen Law.
The exhibition title is taken from Banana Moon by Thabo Jijana, 2017.
To see this story better, close your eyes gathers the work of twelve artists and writers currently exhibiting and publishing in South Africa. Each of the films, audio recordings and texts featured in the exhibition employ narrative as a technique, subject or medium. The work is deliberately positioned in the gallery to prompt multiple and overlapping readings.
In Kiluanji Kia Henda's film, Havemos de Voltar (We Shall Return), Amélia Capomba, a stuffed sable antelope, plans her escape from the Archive Centre where she refuses to serve as a historical prop. Through found footage, text and music, Penny Siopis' film, The New Parthenon merges the mediations of an ordinary man's modern Greek history of war, globalization and migration. Helen Sullivan's poem, Mendi, describes the sinking of the British troopship in 1917 that killed 616 South Africans (most of them black South African troops). In Pravasan Pillay's Crooks, sixty-eight year old Kamla reflects on her life as she bathes and washes her adult daughter, Ambi. In Death of a Son by Njabulo Ndebele, a mother narrates the thorny process of grieving the death of her son under the apartheid regime. Thabo Jijana's Banana Moon is apprehensive of the festive character that accompanies a funeral.
Mitchell Gilbert Messina reveals the dark undercurrent of the commercial art world involving the ritual sacrifice of young artists in Detective Tales. Messina and Marianne Thesen Law collaboratively illustrate a clumsy and competitive dialogue of sexual fetish in the film, Fantasies Vol. 1. Sean O'Toole provides A Short History of Pleasure. Rosa Lyster delivers the commission, The People's Bird. Chad Rossouw considers the history of the appearance of the parrot in Western Literature, twice, in relation to Jemma Kahn's Somebody You've Already Painted Many Times from Memory. In Kahn's film, actors mimic an interview between David Sylvester and Francis Bacon.
This exhibition is curated by Chloë Reid, who has been generously assisted by Helen Sullivan in her capacity as editor of Prufrock magazine.
Chloë Reid was born in 1989 in Johannesburg, South Africa. She has a bachelor in Fine Art from the Michaelis School of Fine Art, UCT (2011) and a Master of Fine Art from The Glasgow School of Art (2017). She is an artist and writer and is currently on a Fellowship at the Glasgow Sculpture Studios.
17 February - 7 March 2018
Preview: Friday, 16 February, 5-7pm
Curated by Chloë Reid
An exhibition of film and writing by Thabo Jijana, Jemma Kahn, Kiluanji Kia Henda, Rosa Lyster, Mitchell Gilbert Messina, Njabulo Ndebele, Sean O'Toole, Pravasan Pillay, Chad Rossouw, Penny Siopis, Helen Sullivan and Marianne Thesen Law.
The exhibition title is taken from Banana Moon by Thabo Jijana, 2017.
To see this story better, close your eyes gathers the work of twelve artists and writers currently exhibiting and publishing in South Africa. Each of the films, audio recordings and texts featured in the exhibition employ narrative as a technique, subject or medium. The work is deliberately positioned in the gallery to prompt multiple and overlapping readings.
In Kiluanji Kia Henda's film, Havemos de Voltar (We Shall Return), Amélia Capomba, a stuffed sable antelope, plans her escape from the Archive Centre where she refuses to serve as a historical prop. Through found footage, text and music, Penny Siopis' film, The New Parthenon merges the mediations of an ordinary man's modern Greek history of war, globalization and migration. Helen Sullivan's poem, Mendi, describes the sinking of the British troopship in 1917 that killed 616 South Africans (most of them black South African troops). In Pravasan Pillay's Crooks, sixty-eight year old Kamla reflects on her life as she bathes and washes her adult daughter, Ambi. In Death of a Son by Njabulo Ndebele, a mother narrates the thorny process of grieving the death of her son under the apartheid regime. Thabo Jijana's Banana Moon is apprehensive of the festive character that accompanies a funeral.
Mitchell Gilbert Messina reveals the dark undercurrent of the commercial art world involving the ritual sacrifice of young artists in Detective Tales. Messina and Marianne Thesen Law collaboratively illustrate a clumsy and competitive dialogue of sexual fetish in the film, Fantasies Vol. 1. Sean O'Toole provides A Short History of Pleasure. Rosa Lyster delivers the commission, The People's Bird. Chad Rossouw considers the history of the appearance of the parrot in Western Literature, twice, in relation to Jemma Kahn's Somebody You've Already Painted Many Times from Memory. In Kahn's film, actors mimic an interview between David Sylvester and Francis Bacon.
This exhibition is curated by Chloë Reid, who has been generously assisted by Helen Sullivan in her capacity as editor of Prufrock magazine.
Chloë Reid was born in 1989 in Johannesburg, South Africa. She has a bachelor in Fine Art from the Michaelis School of Fine Art, UCT (2011) and a Master of Fine Art from The Glasgow School of Art (2017). She is an artist and writer and is currently on a Fellowship at the Glasgow Sculpture Studios.
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